Sunday, September 16, 2012

THE MASSACRE - 24 Hours of Horror Film Insanity

October 20 at 12:00pm until October 21 at 12:00pm
Doors open at 11am, show starts at Noon.

Special Guest Linnea Quigley (Return of the Living Dead)

Portage Theater
4050 N. Milwaukee Ave.,
Chicago, IL 60641
773.736.4050

Current line-up of films (more soon):
THE BLACK CAT (Karloff & Lugosi!)
WITCHFINDER GENERAL (Vincent Price!)
FRENZY (Rare Hitchcock!)
RETURN OF THE LIVING DEAD (with Linnea Quigley in Person!)
DEAD SNOW (Modern Monster Mayhem!)
HALLOWEEN II (Michael Myers is Back!)
NIGHTMARES (80's Anthology Awesomeness!)
PRINCE OF DARKNESS (Carpenter Craziness!)
PHANTASM II (The Ball is Back!)

More films & Guests TBA.

Tickets are $20 until Sept. 24
$24 until October 19
$25 at the door - day of the show.

Tickets AVAILABLE NOW through Brownpapertickets:
http://www.brownpapertickets.com/event/268053

Plus: Free Autographs & Photo Taking (with Linnea Quigley) Vendors, Vintage Trailers, Short Horror Film Contest, Costume Contest, Zombie Make-Up Station, Short Films, Prizes, Surprises a live charity auction for Vital Bridges (www.vitalbridges.org)...

Films, Times and Guests are subject to change.
No Refunds, No Returns.

Thursday, September 13, 2012

Blue Water Film Festival to honor actor Curtis Armstrong

Curtis Armstrong will appear at this year's Blue Water Film Festival and be receiving the one-of-a-kind "Honorary Nerd Award" presented by international computer service company, Nerds on Site.

The presentation will take place on the final day of the BWFF during the Blue Water Film Awards at McMorran Theatre on Saturday, Oct. 6.

Armstrong is from Berkley, Mich., and has been a working actor for nearly 30 years. Armstrong has guest-starred or played recurring roles on over 65 television series (The Closer, CSI, House, Grey's Anatomy, My Name is Earl) and a full spectrum of feature films including Risky Business, Better Off Dead, One Crazy Summer, the Academy Award-winning Ray as well as this summer's musical hit, Sparkle with Jordan Sparks and the late Whitney Houston.

Armstrong is probably best known as "Dudley Dawson" or "Booger" in the 80's cult-favorite, Revenge of the Nerds, "Bert Viola" on the Emmy and Golden Globe-nominated Moonlighting and as the voice of "Snot" on Fox's animated hit, American Dad.

David Everitt of Nerds on Site is excited for this opportunity. "The Revenge of the Nerds movies have a bit of a cult following among the Nerds on our team worldwide. Our corporate leadership team has talked about finding a way to recognize the actors and characters of those movies but we didn't know where to begin. Now with the festival in town we are thrilled to be able to make this actually happen. We are planning to have a lot of our North American Nerds come in for this event and we couldn't be happier to be presenting this award to Mr. Armstrong."

Tickets for the event can be bought at the McMorran Box Office, TicketMaster or online at www.bluewaterfilmfestival.com.

Tickets are $16 in advance and $20 at the door.

Advance tickets are $10 and $15 at the door and are available on sale now at www.bluewaterfilmfestival.com

27 of Michigan and Ontario's finest independent films will be showcased at McMorran Place Theatre on Saturday, Oct. 6, at the Blue Water Film Festival.

Saturday, September 08, 2012

Like a Rhino in a Record Shop by Skizz Cyzyk

In honor of the upcoming screening of Rhino Resurrected at Montreal's Film POP festival, I'm pre-releasing the following interview of Rhino Resurrected's director Keith Shapiro by Skizz Cyzyk. Find more details about the event via Facebook.

This interview will be available in Cashiers du Cinemart 17:

Pittsburgh native Keith Shapiro began making films when he was five years old, shooting Star Wars inspired films with a Super 8mm camera. He took film classes at Penn State University before relocating to Los Angeles in 1998, where he makes a living as a filmmaker, editor and musician. Like most musician/filmmakers, music is a big influence on his filmmaking. His first documentary feature, Rock God (2007), focused on the supremely talented musician, Peter Himmelman, and how he has dealt with getting older while holding onto his dreams in the rock n roll business. His second documentary feature, Rhino Resurrected, is about Rhino Records, the legendary record store-turned-label that released records by Wild Man Fischer, Barnes & Barnes, the Temple City Kazoo Orchestra, and many other novelty, blues, obscure, cult and reissue acts. Rhino Resurrected premiered at the Santa Barbara Int’l Film Festival in January 2012, won Best Feature Documentary at the Oxford Film Festival, and is currently making the rounds on the film festival circuit.

Skizz Cyzyk: How did you decide to make a documentary about Rhino?
Keith Shapiro: The genesis of this film goes back to my 13-year-old self in dreary old Pittsburgh enlivening my life enjoying the Dr. Demento show with my friends. He mentioned Rhino Records from time to time and they seemed to be responsible for all my favorite tunes. The Dr. created this sort of Ed Wood, ‘50s Wrestling, sleazy “Los Angeles of the mind” that resonated with my adolescent brain. Some years later when I decided to move out West, I was thrilled to see there was a real place called Rhino Records that was weird and fun like I pictured it. I became a customer and watched them sadly decline and go out of business but didn’t have any personal relationship with anyone there. Then in May of 2010, a music friend of mine alerted me to the Rhino “Pop Up” Store (a retail space temporarily hosted in a vacant location) that was about to happen. I showed up, saw them setting up and immediately felt a strong vibe that I better start filming. I asked Sam Epstein (director of the Pop Up Store and later producer on the film) if I could shoot and proceeded to shoot for the entire two week run of the store. I thought I’d make a cool short about the pop up but as I met more and more fascinating people there and the insane history of Rhino Records began to reveal itself I knew I was on to something bigger.

SC: Tell me about the process. How long did it take? What difficulties did you encounter?
KS: I had about 50 great hours of footage from the pop-up store with tons of interviews and even some multi-camera shoots of live performances but now needed to go out and do some proper sit-downs with key players. I had a wish list and Sam was instrumental in getting people to commit to interviews and filled me in on people I wouldn’t have known (he worked at the store for 25 odd years and was an assistant director on the side). It was a long semi-haphazard process in which Sam and I would go out and interview people and I would continue to edit the film continually shaping it out of what I had available. A great thing about the subject is that all the research I did was all my favorite stuff so that aspect was a pleasure.

The biggest challenge was (and still is of course) money because we had no proper funding, just made it up as it went along. But luckily Sam and I were able to shoot it ourselves and I’m an editor by trade so nobody had to be hired. Eventually I used a couple of cinematographers for later interviews but they basically volunteered because the subjects were so cool.

A more esoteric challenge was the mercurial nature of many of the record geek subjects and trying to get the best out of them. I was very adamant that people not just talk about the “look and feel” of vinyl. I wanted to go much psychically deeper than that in regard to the record store and music listening experiences that have been so irrevocably altered in this modern era. Also, many of the less “public” interview subjects were very introverted by nature so it was always important to dig a little deeper.

SC: Your film features some big names in it. Well, big names to people like me at least. I’m always glad to see people I admire, like Dr. Demento and Steve Wynn, pop up in documentaries, knowing that, to the average person, they might not seem as important as they do to me. Who are some of the people in the film that you were most excited to include? Was there anyone you really wanted to put in the film that you weren’t able to get?
KS: Dr. Demento was always a hero – I was so excited to interview him and he didn’t disappoint. His record collection is a real thing of beauty! I love meeting all those people that only “true believers” like us know are so important. It was great to go to William Stout’s studio and get him to draw a Rocky Rhino and also a real joy to spend time with Nels Cline on one of his brief respites from touring with Wilco. Richard Thompson’s a personal favorite of mine so I couldn’t believe my luck when he walked into the pop-up store to pick up his son who was volunteering there (RT also played a stunning set that week). I was floored by Little Willie G and thee East L.A. Philharmonic and was honored to get to know him a bit. There’s a lot of “behind the scenes” people in the film that I knew were so crucial but were hard to explain in their onscreen lower thirds! I hope I conveyed what everybody was all about through the film, I feel like the ‘80s underground scene, at least in L.A., is a little under-heralded.

I do wish I could have interviewed the infamous writer Richard Meltzer, he was a big presence at the Rhino Store in the ‘70s and ‘80s and I’ve been a huge fan of his writing for years. He’s up in Portland now and I had to keep the filming confined to southern California for budget purposes.

SC: As a record collector myself, I got excited every time I saw a record onscreen that I know is also in my collection, and not just Rhino releases. Are you a big record collector too, and have you collected Rhino releases over the years?
KS: I thought I had a solid record collection ‘till I met many of my interview subjects, I wish you could have seen some of these gems. At some point you have to stop filming people in front of their giant record collections and pick another spot in the house. But I’ve been a collector for many years and had more Rhino records than I realized. I had to track down some early Rhino rarities for the film like Rhino Royale, Demento Royale, Saturday Night Pogo, and The History of Latino Rock that I’m happy to have in my collection now.

SC: What has the response been for the documentary so far? Have the subjects seen it, and what do they think of it?
KS: We had an amazing sold out show at the Cinefamily last summer (a really cool film venue in L.A.) as part of the “Don’t Knock the Rock Festival” and a lot of the subjects were there. It was great to hear the thunderous rounds of applause for people who don’t usually get to be on the big screen. I was petrified to find out what some of the subjects thought of the film because anyone who knows Rhino knows they were opinionated to say the least. However, their responses have been positive, appreciative, and thankful that people will hear this story.

The film made its official festival premiere at the Santa Barbara International Film Festival where it touched a nerve with the “well heeled” crowd and then won Best Feature Documentary at the insanely fun Oxford Film Festival in February. I made it so anyone can appreciate the independent spirit of the story but if you love the music and history you’ll love the film that much more. There are lots of layers for the true record geeks to explore – I wanted to recreate what it “feels like” to listen to a Rhino record.

SC: Making a documentary about a record store that becomes a record label that becomes a huge resource for cultural misfits all over the world, I would imagine you must have encountered a nightmare of rights issues. Do you want to talk about that?
KS: NO! Just kidding, it’s a struggle and I’m in the process of trying to raise a modest amount of money so some of the essential stuff can stay in the film. I wouldn’t call it a nightmare because I tried to stay smart about it but I wish it was a little easier to “sample” for documentaries like this. I’m really working hard to make sure this film gets out to the world in a non-neutered form, I believe it will.

SC: Do you have any inside news regarding the future of Rhino? Will there be any more pop up stores?
KS: Gary Stewart (formerly A&R at Rhino, a subject in the film) was so inspired by the first pop-up that he actually did a second one last spring. It was well attended and fun but I garner it’s hard to make enough money for charity to keep it all going. I know everyone wants it to happen every year but I’m not sure it’s possible. Sadly, we all love the era of gathering at the record store and it’s just different now. Although there’s a few great stores left and the funky niche vinyl shop has been flourishing, it will never feel like it used too, that’s why I say the film is an elegy and a celebration of what once was without being nostalgic. We’ll see what the kiddies come up with, but I know that music was everything to people in a way that’s hard to reproduce nowadays.


For more info on Keith Shapiro and his work, visit www.kwsfilms.com


Tuesday, September 04, 2012

From the Eyes of Director H. G. Lewis

I wrote the introduction for this book...

For Immediate Release:

Albany, GA – BearManor Media proudly announces the release of The Godfather of Gore Speaks: Hershell Gordon Lewis Discusses His Films.

Exploitation filmmaker Herschell Gordon Lewis is credited with single-handedly creating the gore genre with the 1963 release Blood Feast. This low-budget shocker would ultimately influence nearly every horror movie which has followed, as well as “high-brow” films as varied The Wild Bunch and Reservoir Dogs. Lewis, dubbed “The Godfather of Gore,” crafted more than thirty-five films in his ongoing career. In The Godfather of Gore Speaks: Herschell Gordon Lewis Discusses His Films, the filmmaker explains his choices and motivations—from concept to finished product—in much more detail than ever before. Assisted by noted film historian Andrew J. Rausch, Lewis shares often hilarious anecdotes and provides analysis for the thirty-nine films which he either directed or assisted with direction.

To learn about this or other BearManor Media titles, please visit our website at www.bearmanormedia.com.

ISBN: 1-59393-297-9
Format: Softcover; 6" x 9"; 141 pages
Price: $14.95

Monday, August 27, 2012

Submit to Cinekink

CineKink --"the kinky film festival"--is seeking films and videos, of any length and genre, that explore and celebrate a wide diversity of sexuality. Dedicated to the recognition and encouragement of sex-positive and kink-friendly depictions in film and television, we're looking to blur some boundaries and will be considering offerings drawn from both Hollywood and beyond, with works ranging from documentary to drama, camp comedy to artsy experimental, mildly spicy to quite explicit--and everything in between.

Cutting across orientations, topics covered at CineKink have included--but are by no means limited to--BDSM, leather and fetish, swinging, non-monogamy and polyamory, roleplay and gender bending, sex work and sex geekery. Basically, as long as it involves consenting adults, just about anything celebrating sex as a right of self expression is fair game. (Far be it from us to define "kink" - if you think your work might make sense in this context, please send it along!)

Scheduled for its tenth annual appearance in February 2013, the specially-curated CineKink NYC will also feature a short film competition, audience choice awards, a special adult entertainment showcase, presentations, parties and a gala kick-off event, along with retrospective screenings commemorating a decade's worth of kinky programming. A national tour will follow, showcasing audience favorites from the NYC festival selections.

Discounted, early-bird entries have a post-marked deadline of September 28th, while the regular deadline is November 9th and the final deadline is December 4th.

For more information, please visit http://cinekink.com/programs-and-events/call-for-entries.

Thursday, August 23, 2012

The Job Hunt

Let's get it out of the way: I'm not hunting at the moment. I'm writing about earlier this year (2012). It's just taken me a while to get to it.

My mom and my wife went on vacation together in January over to Hawaii. I stayed home, taking a week off to watch the dogs and catch up on bad movies. I was also doing a little work from home. I sat buried under five little dogs, working on some documentation, when the phone rang. As soon as my boss's name came up on the screen I knew that there was no good news in my future.

I should have seen the writing on the wall that business sucked and that firings were in the future but I had been assured time and again that the people doing my job at the moment, "Technical Analysts," were so fully entrenched and desperately necessary that we would never be fired. We sat in the fabled cat bird seat. My immediate supervisor told us this so many times -- without ever being prompted -- that I had been lulled into a false sense of security. Plus, I was single-handedly managing the project I was on. There used to be a Project Manager on the case but, when he left the company (seeing that wall writing before me), I took over in a dual role of TA/PM.

Kind of like Ice Cube, I got fired on my vacation (although, this was a Thursday).



I don't know why but I didn't get thrown into a panic with this sudden loss of a job. My best guess is that I was in a vacation headspace and this just lengthened my vacation... indefinitely. Before the afternoon ended, I had already jumped onto the State of Michigan website, applied for unemployment benefits, and shot my updated resume to a few local agencies.

I spent a few hours every day after that looking at various job sites and contacted the headhunter who helped land me a job in the past. We met for coffee the next day and he already had a few ideas for me. Great!

We touched base here and there and, per his directions, I stopped sending out my resume completely. Really not a big deal since I hadn't started job hunting in full force.


Within a few weeks the headhunter got me a job interview at one of the two companies he had mentioned over coffee. Alas, almost from the first word at the interview I knew that this wasn't the place for me. They were looking for a JAVA programmer and that's not me. Afterward I gave the headhunter a call and the lowdown on what went on, telling him that the next person he sends should be skilled in JAVA.

Not to worry, he said, he would also be talking to another company for me. One where I really wanted to try but that he had pooh-poohed in an earlier conversation. Suddenly, he could line up a lunch with some hiring mucky-muck and he'd get me the details shortly.

A week passed. I would call once every two days to check in. I wanted to keep myself front of mind while not being a pest. I finally got good news. The meeting would be set within a few more days.

Then everything fell apart.

I had a day of running errands. While I was out I got a call from the headhunter.

"Hey," he asked, "Have you sent your resume over to this company?"

"No, why?"

"No worries. Just one of the peons told me that your resume was already in the system."

"It must have been from the last time I was looking for work," I assured him. "I've not sent out my resume since you told me not to."

A few hours later I got another call. Oddly, it ran almost identically.

"No, I promise, I haven't sent my resume to anyone," I assured him again.

And, again, an hour after that.

"Are you sure you didn't send your resume there?"

Now I started to doubt myself. Why was he being so insistent? Had I sent it?

"I don't remember ever sending my resume over there, but I'm out all day today so I can't look. Can I call you again when I get home?"



Hours later I was home and looking through all of my email records. Nothing there. Then I went into LinkedIn.

Sure enough. That Thursday I got fired I had sent in my resume to the company in question. I got right on the phone and gave my headhunter a call to tell him on my mistake.

If you're not familiar with how headhunters work, they have to be the source for a lead, otherwise he (or she) can be blown off as in, "We were going to look at this candidate anyway so screw you and your commission. We're not paying." That I had sent in my resume on my own suddenly nullified his claim on me, meaning that he had been working for nothing to get me the appointment with the mucky muck.

The headhunter was livid to say the least. He told me that I had to write to the mucky muck and her two assistants (who he had basically been calling liars throughout the day [unbeknownst to me] based on my emails) to apologize and tell them that he had been mislead.

Oh, great. This would be a good way to get a job.

So help me, I did exactly what the headhunter asked, throwing myself on my own sword with an apology where I had to basically admit that I was a dumb ass for forgetting that I had sent my resume to the company where I wanted to work. Doesn't that just scream, "Hire this guy!"?

Apology sent (with a BCC to the Headhunter), I waited a day or two for the dust to settle before calling him again. My next call went straight to voicemail. My subsequent texts a few days later went unanswered. I was going through my Headhunter's neighborhood (where we'd met for coffee beforehand) so I asked if he'd like to grab another cup. No response. After a week without phone, text, or email I finally texted again to say, "Are you mad at me or something?"

That started a torrent of responses. Yes, he was mad at me for being a "fucking liar" and besmirching his professional standing. He unloaded on me with a series of texts telling me how disappointed he was with me. Basically, he was firing me as a client.

Suffice it to say, this put my job hunt off the rails for a while.



Despite this mea culpa, I still pursued a job at this place. I sent reached out again only to be told, "You're not technical enough for this job." Meanwhile, the position for which I was applying sounded tailored to me. I called back a few days later and told the human resources liaison, "You need to look at my resume again. I'm very technical."

Surprisingly, she called me back to say that someone else looked at my resume and that he'd give me a phone interview in a few days. That got cancelled only to be rescheduled as an in-person with that guy along with a few members of his team.

Even after all that, I didn't get the job. Though the human resources person told me that she thought the guy who interviewed me was crazy for not hiring me.



I found that there were few-to-no companies doing actual hiring but there were plenty dealing with contract places. It seems that this is the way things are going at least that was my experience. Contracting seems to avoid sticky and/or expensive things like health benefits, vacation time, and loyalty. A contractor can be terminated in a heartbeat. A contractor doesn't earn vacation time via the company but only via the contract company -- if available. A contractor isn't a drain on the company's health care expenses.

I got involved with several contract companies and, as it was, apart from the two interviews I had previously on (see above), I went over a month without any. The, suddenly, I had several interviews all set for a two week period.

One contract company didn't want to send me on an interview unless I agreed that I'd take the job if it was offered. "I don't want to waste my time or their time if you don't intend on taking this job." It seems that this guy had already had had his time wasted by someone else who had interviewed, got an offer, made a counter offer, got it matched, and then turned down the job regardless. Oddly enough, that person was a former co-worker of mine.

I went ahead and agreed, feeling obligated a bit to make up for my coworker's mistake. Plus, I felt that I could do her job with my eyes closed where we worked (and often did) so why not do it and get paid a lot more than I had been making?

And that brings me to the end of this long-winded story. I ended up taking the job when it was offered and have been here ever since. It's not the job I wanted but it's the job I got and I've learned a lot while I've been here, albeit not necessarily about the position for which I was hired.

I also learned a lot about how people are hired (or not) around Detroit.

Wednesday, August 15, 2012

World's Greatest Sinner Now on iTunes!

World's Greatest SinnerAs discussed on this episode of The Projection Booth podcast, the Timothy Carey estate has just released World's Greatest Sinner on iTunes. Purchase it today and listen to the Projection Booth podcast about the film.




Wednesday, August 08, 2012

2012 Official Selections for 4th Annual Blue Water Film Festival

Michigan-based film festival announces filmmaker finalists in monetary prize award competition.

Port Huron, Mich., August 8, 2012 - The Blue Water Film Festival (BWFF) has announced the Official Selections of their 2012 festival.

Independent films are submitted to the festival each year from all over the State of Michigan and the Province of Ontario.

The Blue Water Film Festival features short, feature, documentary and animated films and is designed to give Blue Water Area residents the opportunity to see the stars of tomorrow in Port Huron today.

2012 Official Selections of the Blue Water Film Festival

(In Alphabetical Order)

  • Acheron - Kris Sundberg (Williamsburg)
  • Amendment - Tom Nahas (Macomb)
  • Bare - Katherine Nofs (Portage)
  • Beauty Queen - Jacqueline Wilton (Waterford)
  • Being Custer - Denn Pietro (Taylor)
  • Breaking Bread - Anna Wafer (Plymouth)
  • Camp Chapel - Bhanu Chundu (California) (Filmed in Michigan)
  • Cupcake Bandits - Jeffery Schultz (Detroit)
  • Falling Horse - Dan Falicki (Byron Center)
  • Goat Years - Michael Pfaendtner (Macomb)
  • Grasp - Andy Fortenbacher (Grand Rapids)
  • Hank Danger and the Woman from Venus - Joshua Courade (Comstock Park)
  • Heart-Shaped Man - Kristen Miller (Livonia)
  • Hi, Honey - Peter Henderson & Kelly Winsa (Toronto)
  • Holy Car - Mike N. Kelly (Ann Arbor)
  • Hooked - Jeremy Olstyn (Berkley)
  • Jane of All Trades - Chris-teena Constas (Hamtramck)
  • La Tour: Un Voyage Du Cinema - Mike Madigan (Troy)
  • Lifeless - Abhijit Ghosh (Auburn Hills)
  • Love Succinctly- Anna Fleury (West Bloomfield)
  • Olivia's Cross - Robert Joseph Butler (Ortonville)
  • One Decision Away - Allen Maldonado (California and Michigan)
  • Pucker - Paul Lenzi (Lake Orion)
  • Slow Burn - Michael McCallum (Lansing)
  • The Tank II - Scott Galeski (Wyandotte)
  • White Wine - Joseph Parcell (Okemos)
  • The Zombie Factor - Matt Cantu (Rochester)

Kelly Kennedy, Chairperson of BWFF Film Selection, states, "After a record-breaking submission season, the largest in our history, we are thrilled to welcome 27 unique and diverse filmmakers to the fourth annual Blue Water Film Festival. This year, independent filmmakers from the State of Michigan and Province of Ontario flooded our mailbox with exceptional films comprised of phenomenal talent." She continues, "Our chosen 27 represent the best in all that the regional independent filmmaking community has to offer by emerging as masters of the art form. We are incredibly proud to showcase these gifted filmmakers in October."

Loni Love - Blue Water Film Festival

Comedian/actress and Michigan native, Loni Love (E Network's "Chelsea Lately", Tru TV's "World's Dumbest" and VH1's "I Love the 70s/80s/90s"), will kick off the Blue Water Film Festival with a live comedy performance at McMorran Place Theatre featuring her candid and outspoken stand-up on Friday, October 5, 2012. Advance tickets are $10 and $15 at the door, available on bluewaterfilmfestival.com and on sale now.

The Official Selections of the Blue Water Film Festival will be showcased at McMorran Place Theatre on Saturday, October 6, 2012.

Visit http://bluewaterfilmfestival.com/ for more information.

Thursday, July 26, 2012

Hacked!

After being on the internet since 1995, yesterday was the first time I've ever been hacked -- at least that I know of.

Strange things started happening on Tuesday night. I got an email from Paypal saying that I sent a request to Skype for $100 with the message "Plz send me."

I contacted Paypal to let them know that I hadn't sent that request. Since their requests for payment don't have transaction IDs (that I can see, anyway), I wasn't able to report the exact transaction.

Yesterday at 1PM I got an email from Skype telling me that I had changed my email address to vvaridtel@gmail.com.

I immediately got on my phone and tried to surf over to Skype.com to inform them than I'd been compromised. Unfortunately, Skype.com kept trying to resolve to m.skype.com and I was getting a nice blank white page when I went there. (Still happening today).

I couldn't get to Skype.com from my PC at work since it's been flagged as an improper URL. To say that security at my job is tight is an understatement. As of Monday a "security hole" was closed so that I can't copy any files off of my computer to any external device. Forget about synching my iTunes to my phone anymore.

Eventually I found a URL for the Skype help chat page and, amazingly, it wasn't blocked. I was able to get on with a customer representative where we had a painfully slow chat to basically prove who I was and change the password on my account. That's it. No investigation of how this happened. No reinstatement of the money this person spent calling all over the place.

During this hour-long conversation with Skype, I got a tweet from a friend who informed me of the strange conversation he was having with "me." Here it is for your amusement.

Luckily, I was able to get into Skype on my phone via another way and saw that phone calls had been made that day to Bahrain, United Arab Emirates, Pakistan, Saudi Arabia, and Kuwait. I found out today that these calls had actually been going on since June 30 with most calls lasting 0.00 seconds(?). There had been 425 calls made between June 30 and July 25. I thought that my money was going quickly on Skype but didn't realize just how fast... or why.

Here are the top twenty charges that this person (or persons) made:

DateNumberCountryLengthCost
7/24/12 13:31966591613770Saudi Arabia18:135.190
7/24/12 13:33966508967921Saudi Arabia15:194.380
7/24/12 13:3397334070038Bahrain15:594.170
7/15/12 14:31923138490997Pakistan27:474.150
7/24/12 13:1996566575864Kuwait29:284.050
7/25/12 3:26971507137127United Arab Emirates11:283.390
7/24/12 13:2297333917176Bahrain10:442.900
6/30/12 18:13923212212615Pakistan11:361.830
7/25/12 3:15971507137127United Arab Emirates5:541.740
7/1/12 16:21923347885036Pakistan10:141.690
6/30/12 16:40923312016458Pakistan10:231.690
7/16/12 10:48923005050123Pakistan7:531.250
7/25/12 3:40971507137127United Arab Emirates3:221.190
7/24/12 13:1296566575864Kuwait7:011.150
7/3/12 11:44923312016458Pakistan6:251.110
7/2/12 14:48923013994747Pakistan6:101.110
6/30/12 17:39923158797225Pakistan5:240.960
6/30/12 16:52923312016458Pakistan5:500.960
7/4/12 17:01923312016458Pakistan4:290.820
7/2/12 12:18923316338929Pakistan3:280.670

Of course, Skype wouldn't reimburse me nor would they tell me if they were looking into this security breach. Blame the victim. Must be my fault.

I'm thinking of contacting Homeland Security. Hacking? Middle East? Sounds like something they might be into. In fact, I just did. My US-CERT Incident ID number is: 2012-USCERTv33XYCXG.