You want proof? Sorry, I can't offer much except this comparison... I give you Keif Loaf!
Looks like Subversive Cinema has secured the rights to CANDY TANGERINE MAN but can't find good prints to strike a master from:
On a serious note, I was in a grocery store recently and found this horribly disturbing product name. If Michael Richards gets crucified for using the "N-Word," shouldn't Vlassic some shit for so brazenly employing the "M-Word"?!?
Good news. The Goodis folk are allowing me to register late for their shindig. Now it's off to the races trying to find a good package deal to Philly. Odd that I've never been to Philadelphia before but now I'll have been there twice within five months. Looks like my schedule's going to be pretty packed or else I'd be heading over to the Mutter Museum again. I just hope that I can get another delciious Philly Cheesesteak sammiches.
I really thought I had gotten over things like this. I mean, I wasn't the one that came up with the "Grateful That He's Dead" t-shirt that was worn to the Garcia "wake" on the Diag at UofM (way to go, Chesney) so I didn't see me finding "Bo Knows Death" or "Bo Knows Dead" that funny. But I do.
Pardon my gramatically incorrect headline. I just tend to revert to that line from Charles Willeford's Understudy for Love when I encounter baffling items such as my recent realization that so many of the works of Sam Fuller remain unreleased on DVD. Classic bad cinema like RUN OF THE ARROW and great noir like THE CRIMSON KIMONO are MIA while absolute trash gets DVD treatment. Hell, even some of Fuller's more glorious failures such as SHARK have a DVD release (thanks to star Burt Reynolds, I'm sure) but there are several classic Fullers that continue to haunt the "bootleg circuit" with nary a peep about a proper release.